Skip to content
Swiss Art GalleryArt gallery & salesSt-Prex · Switzerland
Gallery journal
Swiss Art Gallery · The story library

Artists’ stories

An encounter with art every day. Stories to read, listen to and rediscover.

The story library

115 stories

Find stories by artist, title or subject.

Show all
Alice Bailly — Femme au miroir ou Femme à la toilette
Image creditsAlice Bailly · Photo Uto / Wikimedia Commons · CC0 1.0

Alice Bailly — « Femme au miroir ou Femme à la toilette ». Another work by the artist, chosen as a visual connection to the story.

Alice Bailly · Photo Uto / Wikimedia Commons · CC0 1.0

Image source Licence

Proportional resizing and WebP conversion, without cropping.

Alice Bailly · 2 min read

Alice Bailly: when wool claims its place among the fine arts

In Geneva, during the First World War, Alice Bailly transforms wool and silk threads and metallic papers into paintings. With Les rythmiciennes, this technique, regarded as a craft, becomes a pictorial manifesto.

François Bocion — Le Port d’Ouchy
Image creditsFrançois Bocion · Le Port d’Ouchy · Wikimedia Commons · Public domain · Mlafarge

François Bocion — « Le Port d’Ouchy ».

François Bocion · Le Port d’Ouchy · Wikimedia Commons · Public domain · Mlafarge

Image source Licence

Proportional resizing and WebP conversion, without cropping.

François Bocion · 4 min read

François Bocion: the first painting inventoried before the museum opened

In Vevey, a public subscription was launched in 1893 for François Bocion’s Le Port d’Ouchy. However, the Musée Jenisch’s pages differ on the date of acquisition: the work’s catalogue entry gives 1896, while the history page states 1893. Both present the painting as the first inventory number in the collection, predating the museum’s inauguration in March 1897.

Gustave Buchet — Torse en mouvement, 1918
Image creditsGustave Buchet · Torse en mouvement, 1918 · Image : Sotheby’s

Gustave Buchet — « Torse en mouvement, 1918 ». A work by the artist, selected for its visual connection to the story.

Gustave Buchet · Torse en mouvement, 1918 · Image : Sotheby’s

Image source

Proportional resizing and WebP conversion, without cropping.

Gustave Buchet · 3 min read

Gustave Buchet: a Futurist Entombment at the Concours Diday

In 1918, Gustave Buchet presented a Futurist interpretation of the Entombment at the Concours Diday. The work sparked controversy and was awarded joint fourth prize. In 1919, his first solo exhibition confirmed his position as a leading figure of Futurism.

Firmin Massot, Portrait of a Seated Young Lady Drawing under a Tree, late 18th–19th century. Another portrait by the artist, in the Metropolitan Museum of Art.
Image creditsFirmin Massot · The Metropolitan Museum of Art, New York · Purchase, C. G. Boerner Gift, 2006 · CC0 1.0 · Format WebP, dimensions réduites

Firmin Massot, Portrait of a Seated Young Lady Drawing under a Tree, late 18th–19th century. Another portrait by the artist, in the Metropolitan Museum of Art.

Firmin Massot · The Metropolitan Museum of Art, New York · Purchase, C. G. Boerner Gift, 2006 · CC0 1.0 · Format WebP, dimensions réduites

Image source Licence

Resized and converted to WebP, without cropping.

Firmin Massot · 3 min read

Firmin Massot: the portrait of his future wife attributed to three artists

In 1793 or 1794, Firmin Massot, Wolfgang-Adam Töpffer and Jacques-Laurent Agasse created the Portrait of the Demoiselles Mégevand. One of the two women depicted, Anne-Louise, married Massot in 1795.

Sophie Taeuber-Arp — Tête dada
Image creditsSophie Taeuber-Arp ; photo : Hiart — CC0 1.0.

Sophie Taeuber-Arp — « Tête dada ». Another work by the artist, chosen as a visual connection to the story.

Sophie Taeuber-Arp ; photo : Hiart — CC0 1.0.

Image source Licence

Proportional resizing and WebP conversion, without cropping.

Sophie Taeuber-Arp · 3 min read

Sophie Taeuber-Arp: Three Performances to Enter History

In Zurich in 1918, Sophie Taeuber-Arp transformed an Italian fairy play into geometric theatre. The Spanish flu and the management’s scepticism limited the play to three performances, but heads and marionettes were soon presented in an exhibition and featured in a Dadaist publication.

Ferdinand Hodler — La Nuit
Image creditsFerdinand Hodler · La Nuit · Wikimedia Commons · Public domain

Ferdinand Hodler — « La Nuit ».

Ferdinand Hodler · La Nuit · Wikimedia Commons · Public domain

Image source Licence

Proportional resizing and WebP conversion, without cropping.

Ferdinand Hodler · 1 min read

Hodler: when exclusion opens the way to Paris

In 1891, The Night is excluded from an exhibition in Geneva. Hodler finds another way to show it. The rejection becomes a turning point.

Gustave Buchet — Composition, 1921
Image creditsGustave Buchet · Composition, 1921 · Image : Beurret Bailly Widmer

Gustave Buchet — « Composition, 1921 ». A work by the artist, selected for its visual connection to the story.

Gustave Buchet · Composition, 1921 · Image : Beurret Bailly Widmer

Image source

Proportional resizing and WebP conversion, without cropping.

Gustave Buchet · 1 min read

Gustave Buchet, the Dada Detour

Before the geometric compositions, there was a disorienting episode. In Geneva, Gustave Buchet encountered Dada, then set out once again for Paris.