Born : 1898Died : 1993Documented citizenships : Serbia
Milan Konjović first exhibited in 1914, showing around fifty works painted outdoors and directly from the subject, while pursuing his primary and secondary education in Sombor from 1904 to 1916. After Prague, he continued his studies in Vienna and visited the museums of Munich, Berlin and Dresden. In Paris, he exhibited at Galerie Bing et Cie in 1931, at Galerie van Leer in 1932, and then at Galerie Mouradian-Vallotton in 1937.
The periods identified in his artistic career reflect successive changes in colour: the blue period was followed by the ‘red period’, dated from 1934 to 1940; in 1941, Konjović was taken to Osnabrück as a prisoner of war; the ‘grey period’, from 1945 to 1952, is characterised by muted colours. According to the biographical chronology, 1953 marks a turning point towards pure, vivid colours, associated with the ‘colourist period’ from 1953 to 1960. The so-called ‘associative’ period is dated from 1960 to 1984; from 1985 onwards, the ‘Byzantine period’ turns towards compositions inspired by themes from the history of the Byzantine Empire.
At the end of 1990, his oeuvre comprised around 6,000 works, including paintings, pastels, watercolours, temperas, drawings, tapestries, theatre sets, stained-glass windows and mosaics. During his lifetime, he took part in around 700 group exhibitions and presented his work in 297 solo exhibitions. His works were shown in cities as diverse as Prague, New York, London, Amsterdam, São Paulo, Rome, Modena, Athens, Paris and Moscow. In Sombor, the Milan Konjović Gallery opened on 10 September 1966 and presented a selection of 1,084 of the artist’s works.
This profile brings together identity references for Milan Konjović and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
5auction references
1auction house
5documented results with prices
Artcurial Beurret Bailly Widmer
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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