Born : 1890Died : 1981Documented citizenships : France
Pinchus Krémègne, a painter, sculptor and lithographer also known as Pinkus Krémègne, was born in 1890 in Zaloudock, near Lida, then part of the Russian Empire and now in Belarus; he died in Céret in 1981. In 1909, he went to the Vilnius Academy of Arts, where he studied sculpture and met Chaïm Soutine and Michel Kikoine. He left for Paris in 1912 and shared studios at La Ruche with them. At the initiative of the painter Pierre Brune, he discovered Céret in 1918 and met Soutine again there. From 1918 to 1920, he produced a series of red nudes.
A contract with the art dealer Paul Guillaume enabled him to leave La Ruche. He lived in Cagnes from 1926 to 1929, travelling to Sweden in 1927 and to Périgord in 1929. After taking part in the June 1940 exodus during the Second World War, he found refuge in Turenne, in Corrèze. He remained there until the end of the war and worked in agriculture. In 1945, he recovered his studio and canvases in Paris before acquiring a plot of land in Céret.
Works from several periods are held in public collections. In Céret, the Musée d’art moderne holds, among other works, four drawings and ten oil paintings on canvas, including L’atelier and L’entrée des capucins, donated by the artist. In Toulouse, the Musée des Augustins holds, among other works, Paysage, c. 1944, and La salle à manger, before 1948, two oil paintings on canvas. Exhibitions of his work take place in London and Paris. In 1954, the Redfern Gallery in London presents Pinchus Krémègne – 88 toiles; in December 1959, the Galerie Durand-Ruel in Paris organises Pinchus Krémègne – Quarante ans de peinture. For the centenary of his birth, the Musée d’art moderne in Céret honours him with a retrospective in 1990. An exhibition devoted to the artist is also presented at the Pavillon des Arts in Paris from June to September 1993. Amedeo Modigliani paints his portrait, Le Peintre Krémègne, now held at the Musée des beaux-arts in Bern.
This profile brings together identity references for Pinchus Krémègne and paintings, drawings and works on paper documented in auction catalogues.
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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