Born : 1855Died : 1930Documented citizenships : France
Georges Stein painted the streets and urban landscapes of the Belle Époque. His repertoire encompasses Paris and London, as well as Melun, Vichy, Berne, Lausanne and Geneva. His scenes are described as animated by spontaneity, movement and carefully worked light that conveys the bustle of Paris; the source draws a connection between this treatment and the influence of Jean Béraud. He trained with Jules Lefebvre and Gustave Boulanger.
In 1906, based in Montigny-sur-Loing, he presented eight paintings at the Salon des indépendants. The exhibition catalogue lists, among others, Parisienne (effet de nuit), La rue Auber au crépuscule, Brouillard sur la Seine and Boulevard des Italiens, identified as a pastel. A member of the Société des artistes français, he exhibited at its Salon from 1912 to 1914, while living in Melun. The works noted include Le Pont de Westminster à Londres in 1912, followed in 1913 by La route de Turin à Nice and Crépuscule parisien, both identified as watercolours. The 1914 catalogue includes, among others, Soleil d’hiver à Nice and Dans la forêt de Fontainebleau. In 1910, at the request of Léon Roubot, director of the Élysée-Palace, Stein produced four large canvases for the decoration of Vichy’s new casino. They evoke the resort’s leisure activities, from carriage rides and brasseries to the casino and the racecourse.
Several works are held in French museums. The Musée Carnavalet in Paris owns, among other works, Cavaliers et attelages, avenue du Bois, as well as the poster Grands magasins du Pont-Neuf, Paris, Jouets, Étrennes 1899. The Musée d’Art et d’Histoire de Melun holds Le Marché aux fleurs à Paris and the pastel La Place de l’Opéra le soir, as well as three paintings relating to the pont aux Fruits. On Le Pont aux Fruits le soir, the dedication to Émile Gaulard and the signature naming Georges Stein and Melun place the work in a personal connection with the city. In Vichy, the exhibition Échappées bucoliques presented L’arrivée des calèches and Fête des Fleurs devant la source des Célestins à Vichy in 2009, an oil on canvas measuring 130 × 195 cm from a private collection. His work also included illustration: he was among the illustrators of À mort by Rachilde in 1886, then contributed to the illustrations for Les Grands boulevards by Léo Claretie, published in 1897.
This profile brings together identity references for Georges Stein and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
13auction references
4auction houses
8documented results with prices
Dobiaschofsky · DognyAuction · Schuler · Piguet
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 1042
eigentlich Séverin Louis Stein (Paris 1864–1917 Genf) Die Kathedrale Notre-Dame de Paris von der Place Jacques-Duhamel aus gesehen
Oil on canvas
Original catalogue wording
eigentlich Séverin Louis Stein (Paris 1864–1917 Genf) Die Kathedrale Notre-Dame de Paris von der Place Jacques-Duhamel aus gesehen Öl auf Leinwand
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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