Born : 1873Died : 1950Documented citizenships : Hungary
Born in Budapest in 1873, Hugó Scheiber returned to the city with his family at the age of fifteen. He worked during the day and attended evening painting classes, completing his training in 1900. Initially close to Post-Impressionism, his work subsequently showed an interest in German Expressionism and Futurism. Cafés, cabarets and the street provided subjects, alongside jazz musicians and self-portraits. He worked notably in gouache and oil, combining vivid colours with strongly abstracted forms. In 1919, he exhibited with Béla Kádár at the Hevesy Salon in Vienna. He also appeared in the Société Anonyme’s New York exhibition in 1926. He died in Budapest in 1950. The Art Institute of Chicago lists his Untitled (pierrots), dating from around 1920.
This profile brings together identity references for Hugo Scheiber and paintings, drawings and works on paper documented in auction catalogues.
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Eliza Douglas approaches painting through images already in circulation: animated characters, logos and graphics drawn from music and fashion cultures. After studying film at Bard Co…
Working as Chas Laborde, Charles Laborde developed a practice spanning press drawing, printmaking and illustrated books. Born in Buenos Aires to French parents, he grew up in Béarn b…
Born in Trapani, Carla Accardi (1924–2014) developed a practice in Rome that extended abstraction beyond the conventional painting. Following training in Palermo and Florence, she mo…