Born : 1685Died : 1766Documented citizenships : France
The French painter Jean-Marc Nattier, born and died in Paris (1685–1766), is particularly known for his portraits of women, especially allegorical portraits in which court ladies take on the features of mythological figures. The son of the portraitist Marc Nattier and the miniaturist Marie Courtois, and brother of the painter Jean-Baptiste Nattier, he showed an early aptitude for art: at the age of fifteen, he won the Academy’s first prize for drawing.
Between 1700 and 1710, Louis XIV authorised him to draw and have engraved the twenty-four paintings by Rubens devoted to the History of Marie de’ Medici. Accepted as an agréé member of the Academy in 1713, Nattier became a member in 1718 after presenting a mythological painting: Perseus Turning Phineus to Stone, held at the Musée des Beaux-Arts in Tours. Following the bankruptcy of Law’s system and the loss of a family lawsuit, he had no resources other than those derived from his talent and turned particularly to portraiture.
He became the official portraitist of the Orléans family, and then of the court of Louis XV in 1748; appointed professor at the Royal Academy of Painting and Sculpture in 1746, he continued his institutional career alongside his work as a painter. Mademoiselle de Clermont as a Sultana (1733), held at the Wallace Collection in London, exemplifies his allegorical portraits. Madame Victoire at the Age of Fifteen (1748), now held at the Château de Versailles, also bears witness to his work as a portraitist. Towards the end of his life, following the rejection of his application for a pension in 1754, he fell into great hardship and was taken in by his son-in-law, the painter Charles-Michel-Ange Challe.
This profile brings together identity references for Jean-Marc Nattier and paintings, drawings and works on paper documented in auction catalogues.
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 3213
Werkstatt oder Kopist des königlichen Kabinetts Bildnis von Louise-Élisabeth de France, Duchesse de Parme
Oil on canvas
Original catalogue wording
Werkstatt oder Kopist des königlichen Kabinetts Bildnis von Louise-Élisabeth de France, Duchesse de Parme Öl auf Leinwand
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Abstract sculptor, painter and graphic artist, Otto Herbert Hajek (1927–2005) developed a body of work that also extends into public space and is particularly visible in Stuttgart, h…
The German landscape painter and engraver Leonhard Rausch, associated with Romanticism, was born in Jülich in 1813 and died in Düsseldorf in 1895. His preferred subjects range from t…
The Polish painter Antoni Karol Suchanek, born in Rzeszów in 1901 and died in Gdynia in 1982, pursued his artistic practice for more than sixty years, according to W. Zmorzyński. In…