Painting, sculpture and monumental ambition intersect in the career of George Frederic Watts (1817–1904). Trained in sculpture by William Behnes, he entered the Royal Academy in 1835 and began exhibiting there in 1837. A prize in the Westminster competition financed his departure for Italy in 1843. Back in Britain, he created works including the fresco Justice, A Hemicycle of Lawgivers at Lincoln’s Inn, completed in 1859. His portraits stood alongside symbolic compositions, several of which he donated to the Tate. With Mary Fraser Tytler, whom he married in 1886, he settled near Compton in Surrey. A gallery devoted to his work opened there in April 1904, shortly before his death.
This profile brings together identity references for George Frederic Watts and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
1documented result with a price
Piguet
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Pinchas Burstein (1927–1977), known as Maryan S. Maryan, was born in Nowy Sącz, Poland, and died in New York. Following a first solo exhibition in Jerusalem in 1949, he showed his wo…
Antonio Allegri, known as Correggio, who died in 1534, was a major figure of the Renaissance in Emilia. His work in Parma includes the dome frescoes of San Giovanni Evangelista and t…
Jacques-Philippe Caresme (1734–1796) worked in painting, drawing, pastel and watercolour. Exhibiting at the Salon from 1767, he undertook commissions for religious patrons and royal…