Ser Serpas works with discarded objects and fabrics given by friends, questioning the value attached to materials. Educated at Columbia University, she transforms these resources into temporary assemblages that may return to the street after exhibition. Constructing her sculptures, held together by gravity, becomes a private performance.
In Hall at the Swiss Institute in 2023, painted torsos, photographs made with Rafik Greiss and notebook pages formed a presentation of bodies and traces. For rent at Vancouver’s Contemporary Art Gallery in 2026, she pressed canvases together while their paint was still wet, producing mirrored figures. This contact makes painting into an imprint, while a grey palette accompanies the dissolution of the bodies depicted.
This profile brings together identity references for Ser Serpas and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
Sotheby’s
References include catalogue entries and available results; they do not all represent completed sales.
Works recorded at auction
Sotheby’s · Lot 58
Untitled
Ser Serpas b. 1995 Untitled acrylic on paper, in two parts each: 29,5 x 19,5 cm (unframed); 34 x 24 cm (framed) Executed in 2019.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
George Ricard-Cordingley (1873–1939), also known as Georges Ricard-Cordingley, was born in Lyon to a French father and an English mother. He trained in Lyon and at the Académie Julia…
Arcangelo Salvarani (1882–1953) was born in Quartirolo di Carpi and died in Modena. He worked mainly in watercolour, alongside mural decoration and teaching at the Fermo Corni instit…
Jac Martin-Ferrières (1893–1972), born Jacques-Auguste Martin, was the son of painter Henri Martin. Abandoning scientific studies, he developed an initially pointillist practice befo…