Francesco Jacovacci was born in Rome on 30 January 1838 and died there on 26 June 1908. He collaborates with Cesare Fracassini on the frescoes of the Basilica of Saint Lawrence outside the Walls. According to the biographical entry, his works are often sold by the Goupil gallery.
The listed works include *Nascita di un Principe* (1876), associated with the Brooklyn Museum, *Addio al Passato* (1877), associated with the GAM in Milan, and *Ultimo giorno della Repubblica Veneta* (1888). *Arrival of Venetian noblewomen in a gondola*, dated 1874, bears the inscription and signature “F Jacovacci Roma 74” and measures 45.5 × 55.4 cm. A portrait of an elderly woman is dedicated and signed at the lower right: “All'amico D'orazi / F Jacovacci”. In 1880, Jacovacci wins a prize at the fourth national exhibition of fine arts in Turin.
This profile brings together identity references for Francesco Jacovacci and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
Koller
References include catalogue entries and available results; they do not all represent completed sales.
Works recorded at auction
Photograph : Koller · Enlarge image ↗
Koller
Ankunft venezianischer Edeldamen in einer Gondel. 1874.
Oil on wood
Original catalogue wording
Ankunft venezianischer Edeldamen in einer Gondel. 1874. Öl auf Holz
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Born in Lübeck in 1646 under the name Gottfried Kniller, Godfrey Kneller was a portrait painter whose name also appears in the form Gottfried Kneller. His father, Zachary Kniller, a…
Robert Mangold’s painting is distinguished by a minimalist language embodied in carefully defined formats and contours. His series of shaped canvases explore variations on motifs suc…
The French painter Yvonne Canu (1921–2008), born in Meknès, Morocco, developed a Neo-Impressionist practice characterised by a divided brushstroke and the arrangement of juxtaposed c…