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Jan de Baen

Jan de Baen was a portrait painter active in The Hague and at the court of the House of Orange. The Royal Collection describes his development from models associated with Rembrandt’s school towards an elegance derived from Van Dyck. Clothing, attributes and settings in his formal portraits communicate the rank and responsibilities of the people represented.

The Portrait of Johan Maurits, Count of Nassau-Siegen, painted at Cleves around 1668–1670 and held by the Mauritshuis, includes gardens laid out by the sitter. William III, still Prince of Orange, wears theatrical Roman armour in the Royal Collection portrait of about 1667; Hercules fights the Nemean lion behind him. The portraits of Johan and Cornelis de Witt, painted in 1669 and held in Dordrecht, likewise belong to his practice of political representation.

This profile brings together identity references for Jan de Baen and paintings, drawings and works on paper documented in auction catalogues.

Documented auction references

2auction references
1auction house
2documented results with prices

Lempertz

References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.

Works recorded at auction

Jan de Baen — Bildnis eines Herren im Alter von 40 Jahren
Photograph : Lempertz · Enlarge image ↗
Lempertz · Lot 3

Bildnis eines Herren im Alter von 40 Jahren

Oil on canvas

Original catalogue wording

Bildnis eines Herren im Alter von 40 Jahren
Öl auf Leinwand

Auction date : 2020-11-21

Published result : 6000 EUR

Including buyer’s premium

Estimate : 6000

View the lot at the auction house ↗
Jan de Baen — Bildnis eines Herren
Photograph : Lempertz · Enlarge image ↗
Lempertz · Lot 1085

Bildnis eines Herren

Oil on canvas

Original catalogue wording

Bildnis eines Herren
Öl auf Leinwand

Auction date : 2018-05-16

Published result : 18600 EUR

Including buyer’s premium

Estimate : 6000

View the lot at the auction house ↗

Sources and references

SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record.
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