Born : 1879Died : 1968Documented citizenships : France
Léopold Survage’s career combines an exploration of the relationship between colour and music with projects for abstract cinema, the stage, textiles and monumental painting. Before devoting himself to painting, he worked from 1897 to 1900 as an apprentice in his father’s piano workshop. In 1899, he enrolled at the École des beaux-arts in Moscow, where he studied with Constantin Korovine and Leonid Pasternak. He moved to Paris in 1908 with Hélène Moniuschko, whom he married that same year, attended the Matisse and Colarossi academies and began exhibiting in 1911.
In 1914, he developed the concept of «coloured rhythm», which draws an analogy between visual colour and music, and presented his ideas on abstract cinema at the Salon des indépendants. His work also extended to designing sets and costumes for Serge de Diaghilev’s Ballets russes, designing fabrics for Chanel and creating religious works. In the 1950s and 1960s, he devoted himself to monumental painting and, among other works, created a fresco for the Palais des Congrès de Liège. He was appointed an officer of the Légion d’honneur on 12 March 1963.
The Galleria d’Arte Moderna in Genoa lists Pecheuses de Collioure, dated 1930 and measuring 115 × 160 cm, under inventory number GAM1190. The Art Institute of Chicago also lists several works by Survage, including Composition (1915), Nice (1916), Abstract Cityscape (1924) and Hand Holding Cloth (1929). A commercial biography mentions his participation in Dance of Colours. Nijinsky’s Eyz and Abstraction at the Hamburger Kunsthalle in 2009, followed by Léopold Survage : Abstrait ou cubisme at the Musée Ianchelevici in 2017–2018. His work has been studied, among other publications, in Survage, les années héroïques by Jeanine Warnod, published in 1993, and Survage, les années Collioure, 1925-1932 by Daniel Abadie, published in 2012.
This profile brings together identity references for Léopold Survage and paintings, drawings and works on paper documented in auction catalogues.
14 references are documented at Dobiaschofsky, Kornfeld, Genève Enchères, Schuler, Piguet, Germann. Each record links to its source; the amounts are not a general valuation of the artist’s work.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Documentation updated : 2026-10-19