SwissArtGallery · Documented identity
Thomas Creswick (1811–1869), born in Sheffield, moved to London in 1828. His early landscapes explored Wales, Ireland and northern England, among other regions. Elected a full member of the Royal Academy in 1851, he developed his practice within British exhibition networks.
Tate holds The Stile, dated and exhibited in 1839, and The Ford, an oil on canvas bequeathed by Henry Vaughan in 1900. Their titles evoke countryside crossed by paths and passages. His imagery also circulated through print: The Miller’s Home at the Metropolitan Museum is a hand-coloured lithograph published by Currier & Ives after his painting between 1857 and 1871. A bridge, children and a mill connect the landscape with the everyday uses of its spaces.
This profile brings together identity references for Thomas Creswick and paintings, drawings and works on paper documented in auction catalogues.
Dobiaschofsky · Piguet
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Oil on canvas
Scène de forêt et cage à oiseau
huile sur toile
Catalogue period : 2022-03-01 — 2022-03-16
Catalogue reference — sale not confirmed
Estimate : CHF 600–800
View the lot at the auction house ↗Oil on canvas
Scène de forêt et cage à oiseau
huile sur toile
Catalogue period : 2021-11-24 — 2021-12-08
Catalogue reference — sale not confirmed
Estimate : CHF 600–800
View the lot at the auction house ↗
Oil on paper, mounted on canvas
The fisherman.
Öl auf Papier, auf Leinwand
Catalogue period : 2017-05-13
Published result : 450 CHF
Fees not specified in the available data
Estimate : CHF 500
View the lot at the auction house ↗SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record.
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