Dirck van Baburen, born around 1595 and deceased in Utrecht in 1624, belonged to the Utrecht Caravaggisti. Trained by Paulus Moreelse, he worked in Italy, where he encountered the painting of Caravaggio and his followers. In Rome, he participated in the decoration of a chapel at San Pietro in Montorio in 1617. His return to Utrecht around 1621 helped disseminate new models for religious painting and genre scenes.
His half-length figures appear close to the viewer, their bodies modelled through emphatic contrasts of light and shade. He was among the first painters to introduce single figures of musicians into the northern Netherlands. The Procuress of 1622, held by the Museum of Fine Arts in Boston, concentrates its narrative in hands and glances. The centrally placed lute contributes to the scene’s meaning as a transaction involving love.
This profile brings together identity references for Dirck van Baburen and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
2auction references
2auction houses
1documented result with a price
Genève Enchères · Lempertz
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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