Sarkis Katchadourian (1886–1947), an Armenian painter, used copying as a means of transmitting ancient wall paintings. In 1932 the Museum of Modern Art presented his reconstructions after seventeenth-century originals in Isfahan. The exhibition brought into a museum images associated with particular buildings and distant places.
His research continued in South Asia: Polonnaruva (Woman among Trees), around 1935, in the Philadelphia Museum of Art, records a mural fragment from Sri Lanka in watercolour. The Metropolitan Museum holds a male figure in European dress holding a bottle, executed in tempera on paper. His repertoire also includes landscape: Mount Ararat, in Leamington Spa, sets two reclining figures before the snowy mountain. Across recording, figure painting and landscape, these works reveal different relationships with artistic heritage and with the land.
This profile brings together identity references for Sarkis Katchadourian and paintings, drawings and works on paper documented in auction catalogues.
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Piguet · Enlarge image ↗
Piguet
The offering,
Mixed media, possibly on paper
Original catalogue wording
L'offrande, technique mixte possiblement sur papier
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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