Meindert Hobbema, born and died in Amsterdam (1638–1709), is chiefly associated with wooded landscapes, which he arranges around a path or a body of water. Baptised Meindert Lubbertszoon — also transcribed as Meindert Lubbertsz —, he adopts the name Hobbema. He trains with Jacob van Ruisdael between 1655 and 1657. In 1668, he marries Eeltje Vinck; van Ruisdael is his witness.
In his compositions, the winding path and water frequently structure wooded landscapes. His practice is described as studio work in Amsterdam, developed from drawings made from life. The watermill is a recurring motif: more than thirty paintings by Hobbema featuring this subject are known or recorded. His output is concentrated mainly between 1658 and 1671, then becomes very limited without ceasing entirely.
La Ferme dans les bois, dated 1662, is an oil painting on canvas held at the Musée du Louvre. The Rijksmuseum in Amsterdam also holds a Moulin à eau attributed to Hobbema. L’Allée de Middelharnis, dated 1689 and held at the National Gallery in London, attests to the presence of his landscapes in public collections.
This profile brings together identity references for Meindert Hobbema and paintings, drawings and works on paper documented in auction catalogues.
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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