Luca Giordano (1634–1705), born in Naples, developed a painting practice informed by Neapolitan, Roman and Venetian traditions. He also worked in Florence and stayed in Madrid from 1692 to 1702. Nicknamed Fa Presto for his speed of execution, he produced large religious and mythological compositions. Moving figures, contrasts of light and an expansive organisation of space define a language suited to monumental decoration.
The paintings associated with the ceiling of Florence’s Palazzo Medici Riccardi show how allegory can organise numerous scenes into a coherent ensemble. The modelli preserved in London provide access to this pictorial invention. The Transfiguration of Christ in the Uffizi, delivered in 1685, turns a luminous apparition into a dramatic event. Giordano’s work thus contributed to Baroque decoration while anticipating several developments in eighteenth-century Italian painting.
This profile brings together identity references for Luca Giordano and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
3auction references
2auction houses
2documented results with prices
Schuler · Lempertz
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 3209
Umkreis Maria mit dem schlafenden Kind
Oil on canvas
Original catalogue wording
Umkreis Maria mit dem schlafenden Kind Öl auf Leinwand
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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