Claude Gellée, known as Claude Lorrain, was born in Lorraine early in the seventeenth century and spent most of his career in Rome. Studies of the countryside and changing light informed landscapes composed in the studio. Pastoral figures, ancient narratives and biblical episodes inhabit ordered spaces in which distance and atmosphere assume particular importance.
In Sunrise, an oil painting on canvas possibly made in 1646–1647 and held by the Metropolitan Museum, the luminous horizon preserves this poetic vision of the Roman countryside. The Liber Veritatis, now in the British Museum, gathers drawings recording his compositions and their recipients. His practice also included etching, as in Shepherd and Shepherdess Conversing in a Landscape, about 1651. Observation thus moves between painting, drawing and the printed image.
This profile brings together identity references for Claude Lorrain and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
5auction references
3auction houses
Dobiaschofsky · Genève Enchères · Piguet
References include catalogue entries and available results; they do not all represent completed sales.
References excluded from statistics: attributions and special lots
These references are shown separately because of their attribution or lot composition. Each record states the reason.
Photograph : Piguet · Enlarge image ↗
Piguet
Suiveur de Claude Le Lorrain — Animaux et paysans dans un paysage en ruines
Oil on canvas
Original catalogue wording
Suiveur de Claude Le Lorrain — Animaux et paysans dans un paysage en ruines huile sur toile suiveur de
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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