Pieter de Putter, active in the seventeenth-century Netherlands and deceased in 1659, belonged to an early generation of painters specialising in fish still lifes. The Museum Bredius holds a composition featuring a pike alongside other fish. Such subjects make the products of fishing the principal focus of the picture, giving them a role beyond that of incidental accessories.
In the Rijksmuseum’s Still Life with Fish, dated around 1639–1659, several species lie on an earthenware colander at the corner of a wooden table. This arrangement brings bodies and objects together within a confined space. An Elderly Fisherman at His Breakfast, an oil on panel in the Liechtenstein Princely Collections, also demonstrates his engagement with genre painting and the human presence in everyday settings.
This profile brings together identity references for Pieter de Putter and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
3auction references
1auction house
3documented results with prices
Lempertz
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Lempertz · Enlarge image ↗
Lempertz · Lot 2044
Stillleben mit Fischen auf einer Holzplatte
Oil on wood
Original catalogue wording
Stillleben mit Fischen auf einer Holzplatte Öl auf Holz
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
George Ricard-Cordingley (1873–1939), also known as Georges Ricard-Cordingley, was born in Lyon to a French father and an English mother. He trained in Lyon and at the Académie Julia…
Arcangelo Salvarani (1882–1953) was born in Quartirolo di Carpi and died in Modena. He worked mainly in watercolour, alongside mural decoration and teaching at the Fermo Corni instit…
Jac Martin-Ferrières (1893–1972), born Jacques-Auguste Martin, was the son of painter Henri Martin. Abandoning scientific studies, he developed an initially pointillist practice befo…