SwissArtGallery · Documented identity
Born in Nantes, Pierre Roy (1880–1950) constructed his paintings from precisely rendered familiar objects. Shells, fruit, seeds, eggs and ribbons come together in poetic scenes that account for his association with Surrealism. In 1925 he participated in the first exhibition of Surrealist painters, followed in 1926 by a solo exhibition whose catalogue carried a preface by Louis Aragon. His activity extended beyond easel painting to theatre sets, covers for Vogue and advertising posters. He also collected nursery rhymes, illustrating them with stencil-coloured woodcuts for Cent comptines, published in 1926. New York’s Museum of Modern Art holds Danger dans l’escalier (1928) and L’Heure d’été (1929), both oil paintings on canvas.
This profile brings together identity references for Pierre Roy and paintings, drawings and works on paper documented in auction catalogues.
Artcurial Beurret Bailly Widmer · Piguet · Germann
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Oil on panel
Ballerines
huile sur panneau
Catalogue period : 2025-11-27 — 2025-12-10
Published result : 3600 CHF
Fees not specified in the available data
Estimate : CHF 4000–6000
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Pastel on paper
Musique, 1943
Pastell auf Papier
Catalogue period : 2019-06-19
Published result : 3160 CHF
Including buyer’s premium
Estimate : CHF 2500–3500
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Oil on canvas
Les Asperges
Öl auf Leinwand.
Date to be documented
Catalogue reference — sale not confirmed
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Oil on canvas
Le jardin potager, 1932
Öl auf Leinwand.
Date to be documented
Catalogue reference — sale not confirmed
View the lot at the auction house ↗SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record.
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