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Frančeska Kirke

Born : 1953Documented citizenships : Latvia

Frančeska Kirke trained in monumental painting at the Latvian Academy of Art. Her compositions reuse fragments of older artworks, bringing them into relation with the present. The Dance of the Militarists, from 1986, and The Cult of Personality, from 1988, participate in a political reflection shaped by changes in Latvian society.

In the project Trauslums/fragile, she intervenes within the collections of the Riga Bourse museum through painting, ceramics and sound. The project questions loss, memory and the museum’s apparent permanence. Her practice also includes designing coins. For Vilhelms Purvītis, issued in 2022, she adapts the Latvian painter’s Winter in colour on the coin’s obverse, transferring a historical image into an object on a small scale.

This profile brings together identity references for Frančeska Kirke and paintings, drawings and works on paper documented in auction catalogues.

Documented auction references

2auction references
1auction house
2documented results with prices

Schuler

References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.

Works recorded at auction

Frančeska Kirke — Seascape
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 3124

Seascape

Oil on canvas

Original catalogue wording

Marine
Öl auf Leinwand

Catalogue period : 2026-06-29

Published result : 2000 CHF

Fees not specified in the available data

Estimate : CHF 2000–3000

View the lot at the auction house ↗
Frančeska Kirke — Drei Geishas (Kimono)
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 3264

Drei Geishas (Kimono)

Oil on canvas

Original catalogue wording

Drei Geishas (Kimono)
Öl auf Leinwand

Catalogue period : 2022-12-16

Published result : 4500 CHF

Fees not specified in the available data

Estimate : CHF 2000–3000

View the lot at the auction house ↗

Sources and references

SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record.
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