Maurice Rodieux
Born in 1876.
Died in 1927.
Titles observed on the art market—in particular Les Propylées. Le matin and Érechtéion—confirm that Greek monuments feature explicitly as a subject in his work.
References to views, for example a «Vue de l'Acropole prise du pied de la Colline des Nymphes», indicate an interest in specific viewpoints on the ancient site. The elements cited here derive from the identification of works and titles as recorded in the entries consulted.
Rodieux’s practice proves varied in its materials: the dossier records at least one pastel on paper, Saas‑Fee, signed and dated 1920, as well as oil paintings on canvas. The pastel Saas‑Fee, identified and dated 1920, provides a precise chronological marker for the artist’s activity.
An extra-European motif is also attested: the canvas entitled Les premiers contreforts de la chaine Libique (Haute Egypte) indicates an interest in the landscapes of Egypt.
