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Swiss Art Gallery · St-Prex

Albert Muret

Born in 1874.

Died in 1955.

Albert Muret developed a multifaceted practice which, according to the notice consulted, encompassed oils, watercolours, drawings, posters, prints, illustrations and stained glass.

According to the same notice, in 1897 he took part in the work on the cycle of the history of Saint Geneviève conceived by Pierre Puvis de Chavannes for the Panthéon (mention attested by the source; corrupted extract). In 1904, he had his house in Lens built, and is said to have been both the architect and the contractor for the project. Later in his active life, he moved to Pully in 1945.

Hunting is presented in the notice as a personal passion that reappears in his painterly and literary output. Alongside his production of images and graphic works, his multiple commitments—as described by the source—made Muret an active participant in the cultural life of the canton of Vaud.

Albert Muret

Available works

No work is currently presented in this section.

Swiss Art Gallery · Public market

Documented auction sales

Documented public references. Estimates and results are shown when available.

Dobiaschofsky Auktionen AG
"Chemin-de-fer Martigny - Orsière".
Auction date to be completed · Lot 2716 · Farblithografie · 100 × 70 cm
Estimate CHF 2200
Result : CHF 3000excluding buyer’s premium
View original sale
Dobiaschofsky Auktionen AG
"Chemin-de-fer Martigny - Orsières".
Auction date to be completed · Lot 2585 · Farblithografie · 100 × 70 cm
Estimate CHF 2200
Result : CHF 3600excluding buyer’s premium
View original sale
Dobiaschofsky Auktionen AG
"Martigny - Orsières, Le grand Saint-Bernhard".
Auction date to be completed · Lot 2534 · Farblithografie · 100,5 × 70 cm
Estimate CHF 2200
Result : CHF 3000excluding buyer’s premium
View original sale

Artist details

Signatures of Albert Muret

Compare signatures and monograms using documented photographic details. Each example links to its source.

1 documented example

These images are documentary references. A signature should be considered alongside the work and its provenance.