A painter of modern life, George-Alfred Bottini explores portraits, bar interiors, nocturnal scenes and female figures. Born in Paris in 1874, he dies in Villejuif in 1907. Described as a French artist of the Belle Époque based in Montmartre, he frequents the neighbourhood’s clubs, cafés and brothels, from which he draws inspiration, according to the Bonhams entry.
Described as self-taught, he attends Eugène Cormon’s open studio. His activities encompass painting, drawing, illustration and printmaking; he also contributes to art journals. He exhibits at the Salon of the Société nationale des beaux-arts from 1897 onwards.
His printmaking practice includes etchings, drypoints and, occasionally, woodcuts; works cited among his production also include oils, watercolours and drawings. Among the prints attributed to him is *Dames voor de etalage van galerie Ed. Sagot*, dated 1898 and measuring 468 mm high by 365 mm wide. His works are held in public collections, including the Musée d’Orsay.
This profile brings together identity references for George-Alfred Bottini and paintings, drawings and works on paper documented in auction catalogues.
19 references are documented at Dobiaschofsky, Piguet. Each record links to its source; the amounts are not a general valuation of the artist’s work.
Works recorded at auction
Photograph : Piguet · Enlarge image ↗
Piguet
Nude Woman on a Red Divan
Watercolour and graphite pencil on paper
Original catalogue wording
Femme nue sur un divan rouge Aquarelle et crayon de graphite sur papier
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Documentation updated : 2026-10-19