Born in Gaeta, Sebastiano Conca trained in Naples with Francesco Solimena before settling in Rome in 1707. He received commissions for churches including San Clemente and Santa Cecilia. His decorative painting contributed to the development of Roman Rococo from the Baroque tradition. Religious subjects appear alongside narratives from antiquity throughout his work.
The Prado’s Education of Achilles, painted in 1727 for Cardinal Bentivoglio, reproduces a temporary festival decoration erected outside the Spanish embassy in Rome. At Stockholm’s Nationalmuseum, a small oil sketch long called David and Saul may depict Alexander before his father, Philip II. The identification is uncertain, while its fluid handling preserves the character of a preparatory study.
This profile brings together identity references for Sebastiano Conca and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
3auction references
1auction house
1documented result with a price
Schuler
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Active in the eighteenth and nineteenth centuries, Joseph Kaltner also appears in the catalogue of Sweden’s Nationalmuseum, which associates with his name an object entitled Okänd kv…
A work by Guillaume Berger, entitled « Coup de soleil sur la campagne genevoise », is described as a signed oil on canvas dated 1917, measuring 52 × 90 cm. It was offered in Septembe…
Born in 1943, Mikhail Chemiakin is documented here by Eishockey, an ink-pen drawing dated 1973 and measuring 300 × 235 mm. The work is signed and dated, its title is inscribed in Cyr…