Born : 1915Died : 1994Documented citizenships : Turkey
Cihat Burak, born in Istanbul in 1915 and deceased there in 1994, combined the professions of architect, painter and writer. He graduated in architecture in 1943 while developing an artistic practice in which memories of Ottoman society meet contemporary life. Black humour, fantasy and satire give his figures a critical relationship to the world around them.
In A Realm Where Strange Things Happen, painted in 1967, a verse by Asaf Halet Çelebi supplies the title. Characters and buildings drawn from Ottoman, European and Indian cultures form an unreal world. Drawing also runs through his ceramics and prints. From 1976 to 1992 he worked in Süleyman Saim Tekcan's workshops, exploring printmaking as another medium for his narrative visual language alongside his painting and other activities.
This profile brings together identity references for Cihat Burak and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
1documented result with a price
Artcurial Beurret Bailly Widmer
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Anna Maria Gardell-Ericson was a Swedish painter particularly associated with landscape watercolours. Her training took her to Switzerland, the Academy of Fine Arts in Stockholm and…
Elisabeth Jerichau-Baumann was a Danish painter born in Warsaw, trained in Düsseldorf and later active in Rome. She married the sculptor Jens Adolf Jerichau and pursued an internatio…
Huguette Arthur Bertrand was a French painter associated with lyrical abstraction. Her works in the Centre Pompidou allow comparisons between oil painting and gouache. In Les ajoncs,…