Bernhard Rode (1725–1797), a Berlin painter and printmaker, studied with Antoine Pesne among other teachers. Appointed director of the Academy of Arts in 1783, he developed history painting connected with Enlightenment ideas while retaining a formal organisation inherited from the Baroque. His work therefore brings together different artistic and intellectual traditions.
Scipio’s Magnanimity (1779), an etching at the British Museum, arranges figures around the Roman commander whose gestures convey gratitude and generosity. Seated on a throne, Scipio receives an embrace from Allucius, whose fiancée occupies the centre. The museum also holds a preparatory study of the same year in brown pen and wash. Its composition is reversed in the print: comparison reveals the passage from drawing to etching.
This profile brings together identity references for Bernhard Rode and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
2auction references
2auction houses
1documented result with a price
Lempertz · Schuler
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Lempertz · Enlarge image ↗
Lempertz · Lot 2086
Charon fordert zwei Frauen auf, in seinen Kahn zu steigen
Oil on canvas
Original catalogue wording
Charon fordert zwei Frauen auf, in seinen Kahn zu steigen Öl auf Leinwand
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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