Cornelis Bega worked in Haarlem, where he joined the Guild of Saint Luke in 1654. Coming from a family of artists and craftspeople, he painted genre scenes featuring musicians, drinkers, alchemists and peasant families. In the Rijksmuseum’s Saying Grace, dated 1663, an elderly man and a young woman pray before their meal. Attention to this domestic moment accompanies the representation of a modest interior.
The Getty’s Alchemist, also painted in 1663, shows a figure weighing a substance among vessels and instruments. The treatment of surfaces gives this working environment a material presence. His Boy in a Beret Leaning Back, drawn around 1661–1664 and preserved in the Rijksmuseum, instead studies a single figure, using black and white chalk as its principal drawing materials.
This profile brings together identity references for Cornelis Pietersz Bega and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
1documented result with a price
Schuler
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
Works recorded at auction
Photograph : Schuler · Enlarge image ↗
Schuler · Lot 3106
Interieur mit einer Frau am Spinnrad, rechts ein Mann
Oil on canvas
Original catalogue wording
Interieur mit einer Frau am Spinnrad, rechts ein Mann Öl auf Leinwand
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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