Piero Marussig (1879–1937), born in Trieste, received his first instruction from the decorative painter Eugenio Scomparini. Travels to Vienna, Munich, Paris and later Rome broadened his training. His first documented exhibition took place in Milan in 1906, including the self-portrait Laughing Man. He also experimented with printmaking alongside his painting.
From 1920 his work moved towards a more classical language and more clearly defined forms. In 1925 he joined the governing committee of Novecento Italiano and participated in the movement’s exhibitions. Around the beginning of the 1930s, landscape, particularly the surroundings of Lake Iseo, renewed his investigations of colour and light. In 1930 he founded an art school for children in Milan with Achille Funi and Timo Bortolotti.
This profile brings together identity references for Piero Marussig and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
1documented result with a price
Genève Enchères
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
Valentine Hugo (1887–1968), born Valentine Gross in Boulogne-sur-Mer, developed a practice as a painter, draughtswoman and printmaker associated with Surrealism. The Musée d’Art mode…
Henry Somm (1844–1907), the pseudonym of François Clément Sommier, was a French draughtsman, caricaturist and printmaker born in Rouen, who died in Paris. His activity connected prin…
René Seyssaud (1867–1952), born in Marseille, who died in Saint-Chamas, developed a painting practice closely connected with Provençal landscapes. He also painted rural scenes, still…