Frederick Sandys was born in Norwich in 1829 and died in London in 1904. He first trained with his father, a drawing master and portrait painter. Close to Dante Gabriel Rossetti’s circle, he developed work inspired by medieval, biblical and Arthurian subjects. He was also an illustrator and portraitist, producing coloured-chalk drawings attentive to clothing, hairstyles and jewellery.
May Margaret, painted in 1865–66 and held by the Delaware Art Museum, depicts a red-haired woman whose model may have been his partner Mary Jones or her sister. In Medea, about 1866–68, in Birmingham, the heroine prepares a spell against Glauce while Jason’s ship sails away in the background. In 1898 Sandys became a founding member of the International Society of Sculptors, Painters and Gravers.
This profile brings together identity references for Frederick Sandys and paintings, drawings and works on paper documented in auction catalogues.
Documented auction references
1auction reference
1auction house
1documented result with a price
Dobiaschofsky
References include catalogue entries and available results; they do not all represent completed sales. Attributed works and special lots are excluded from the priced results.
SwissArtGallery documentary note based on the cited sources. Titles, media and qualifications are provided in the profile language; the original catalogue wording remains available in each record. Profile updated :
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